{"id":339,"date":"2018-05-26T14:08:57","date_gmt":"2018-05-26T12:08:57","guid":{"rendered":"https:\/\/sounding-situations.com\/?post_type=project&#038;p=339"},"modified":"2023-05-22T11:25:02","modified_gmt":"2023-05-22T09:25:02","slug":"339","status":"publish","type":"project","link":"https:\/\/sounding-situations.com\/de\/project\/339\/","title":{"rendered":"Mus\u00adrar\u00adope\u00adra"},"content":{"rendered":"\n<div class=\"wp-block-group Wysiwyg\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-l-font-size\">\u201eMus\u00adrar\u00adope\u00adra\u201c is a&nbsp;mobi\u00adle-radio\u00adpho\u00adnic-ope\u00adra deve\u00adlo\u00adped in a&nbsp;his\u00adto\u00adri\u00adcal\u00adly char\u00adged quar\u00adter of Jeru\u00adsa\u00adlem, lay\u00ading bet\u00adween fan\u00adcy shops, the Pal\u00ades\u00adti\u00adni\u00adan area of Damus\u00adkus Gate and the ultra\u00ador\u00adtho\u00addox Mea Shea\u00adrim.<\/p>\n\n\n\n<p class=\"has-l-font-size\">Mus\u00adra\u00adra is a&nbsp;mir\u00adror of the city, Isra\u00adel and the com\u00adple\u00adxi\u00adty of the Midd\u00adle East, inha\u00adbi\u00adted by peo\u00adp\u00adle of divers cul\u00adtu\u00adral, reli\u00adgious and poli\u00adti\u00adcal back\u00adgrounds, kee\u00adping the explo\u00adsi\u00adve coexis\u00adtence of the past in moti\u00adon. In the post-truth time we stra\u00adte\u00adgi\u00adcal\u00adly place this pre-truth ope\u00adra as a&nbsp;fic\u00adti\u00adve rehear\u00adsal and mas\u00adter trai\u00adning to trans\u00adform the uncer\u00adtain pre\u00adsent \u2013 in all dif\u00adfe\u00adrent envi\u00adron\u00adments and places that host this fri\u00adend\u00adly and exhaus\u00adting but playful game bet\u00adween music, sounds, words and the urban envi\u00adron\u00adment.<\/p>\n<\/div><\/div>\n\n\n\n<section class=\"accordions ss-container w-full col-span-full\">\n\n\t<div class=\"accordions__inner\">\n\n<div class=\"accordion accordion--material relative w-full col-span-full border-b first:border-t border-current\">\n\n\t<button class=\"accordion__button relative w-full pl-10 py-3 text-left appearance-none\" aria-expanded=\"false\">\n\n\t\t<span class=\"accordion__title w-full ss-h2\">\n\t\t\tfur\u00adther info\t\t<\/span>\n\n\t\t<span class=\"accordion__close absolute top-0 left-0 ss-h2 h-full w-10 flex items-center justify-center -rotate-90 pointer-events-none select-none enabled:rotate-0 transition-transform\" aria-hidden=\"true\">\u2193<\/span>\n\n\t<\/button>\n\n\t<div class=\"accordion__inner Wysiwyg w-full pt-2 pb-5 pl-10 hidden no-js:block\">\n\n<p>Jury State\u00adment<\/p>\n\n\n\n<p>\u201cThe locus of this work, Mus\u00adra\u00adra has seen cen\u00adtu\u00adries of con\u00adflict and coope\u00adra\u00adti\u00adon, dis\u00adcord and harm\u00ado\u00adny, con\u00adflict and coexis\u00adtence. Through their deep\u00adly rese\u00adar\u00adched, par\u00adti\u00adci\u00adpa\u00adto\u00adry pro\u00adcess, the crea\u00adti\u00adve team has craf\u00adted a&nbsp;sen\u00adsi\u00adti\u00adve and mul\u00adti\u00adlaye\u00adred approach which takes on this palim\u00adpsest and reve\u00adals its mul\u00adti\u00adple truths. This is the power of artis\u00adtic expres\u00adsi\u00adon: to allow us to see bey\u00adond the rhe\u00adto\u00adric. In this pie\u00adce, the\u00adre are no pas\u00adsi\u00adve obser\u00advers. Ever\u00adyo\u00adne is impli\u00adca\u00adted, ever\u00adyo\u00adne is part or the problem\/\u200bsolution. We\u2019re all in it tog\u00ade\u00adther.\u201d<\/p>\n\n\n\n<p><em>(Limor Tomer for the Jury Mem\u00adbers of the 2018 edi\u00adti\u00adon of Music\u00adThea\u00adt\u00adre\u00adNOW com\u00adpe\u00adti\u00adti\u00adon)<\/em><\/p>\n\n\n\n<p>MUSRAROPERA is a&nbsp;mobi\u00adle radio\u00adpho\u00adnic ope\u00adra, that had been con\u00adcei\u00adved at the city quar\u00adter of<br>Mus\u00adra\u00adra in Jerusalem\/\u200bIsrael by an invi\u00adta\u00adti\u00adon to the Mus\u00adra\u00adra Mix Fes\u00adti\u00adval 2018.<br>Mus\u00adra\u00adra is an extre\u00adme\u00adly con\u00adtro\u00adver\u00adsi\u00adal area, in a&nbsp;con\u00adtext of a&nbsp;con\u00adtro\u00adver\u00adsi\u00adal city and coun\u00adtry within<br>the Midd\u00adle East. The quar\u00adter was loca\u00adted at the for\u00admer bor\u00adder\u00adline bet\u00adween Isra\u00adel and Jor\u00addan in the<br>war of 1967. Nowa\u00addays it tou\u00adch\u00ades the area next to Jaf\u00adfa street, with its shops, bars and caf\u00e9s, the<br>Pal\u00ades\u00adti\u00adni\u00adan inha\u00adbi\u00adted area of Damas\u00adkus Gate and the Jewish ultra\u00ador\u00adtho\u00addox quar\u00adter Mea Shea\u00adrim.<br>The old hou\u00adses in Ara\u00adbic style, built by the for\u00admer wealt\u00adhy Pal\u00ades\u00adti\u00adni\u00adan upper class, have then after<br>they left in the 60ies, been inha\u00adbi\u00adted by peo\u00adp\u00adle of very dif\u00adfe\u00adrent cul\u00adtu\u00adral, reli\u00adgious and poli\u00adti\u00adcal<br>back\u00adgrounds, kee\u00adping the explo\u00adsi\u00adve coexis\u00adtence of the past in moti\u00adon.<br>The future is uncer\u00adtain, this is clear. It is con\u00ads\u00adtruc\u00adted by future sto\u00adries to come. In the post-truth time<br>we stra\u00adte\u00adgi\u00adcal\u00adly place a&nbsp;mobi\u00adle pre-truth ope\u00adra: by crea\u00adting an artis\u00adtic dia\u00adlo\u00adgue of sto\u00adries and truths<br>in speech and music, we chan\u00adge not only the future but as well the (under\u00adstan\u00adding of) the past.<br>Pre\u00adsent is the moment when we have the time frame and power to make trans\u00adfor\u00adma\u00adti\u00adon hap\u00adpen.<br>Theat\u00adre and per\u00adfor\u00admance are a&nbsp;con\u00adcre\u00adte way to check what we don\u2019t know and how (per\u00adso\u00adnal and<br>coll\u00adec\u00adti\u00adve) histo\u00adry could be per\u00adfor\u00admed. It is the fic\u00adti\u00adve rehear\u00adsal and mas\u00adter trai\u00adning of trans\u00adforming<br>the uncer\u00adtain pre\u00adsent into a&nbsp;wis\u00adhed future world. The pre\u00adsent is show\u00ading us what has not been done<br>in the last cen\u00adtu\u00adry. The unba\u00adlan\u00adce bet\u00adween glo\u00adbal north and glo\u00adbal south, expor\u00adted wars and<br>Euro\u00adcen\u00adtric per\u00adspec\u00adti\u00adve is revol\u00adving and will not cea\u00adse in the near future. It will be deci\u00added by our<br>acts rou\u00adted in a&nbsp;wider dis\u00adcour\u00adse around all near neigh\u00adbour\u00adhoods, espe\u00adci\u00adal\u00adly around the<br>Medi\u00adter\u00adra\u00adne\u00adan. Jeru\u00adsa\u00adlem has in this con\u00adtext a&nbsp;sym\u00adbo\u00adlic posi\u00adti\u00adon con\u00adnec\u00adting the cul\u00adtu\u00adral iden\u00adti\u00adty,<br>sym\u00adbo\u00adlic pre\u00adsent and uncer\u00adtain pos\u00adsi\u00adble futures of a&nbsp;pre\u00adcious coll\u00adec\u00adti\u00advi\u00adty.<br>Start\u00ading from this point the sto\u00adry\u00adline of the ope\u00adra are the voices of the inha\u00adbi\u00adtants of Mus\u00adra\u00adra and<br>their visi\u00adons of the future. The inter\u00adviews are the ground of the pie\u00adce, done by us with neigh\u00adbours of<br>dif\u00adfe\u00adrent gene\u00adra\u00adti\u00adons, gen\u00adder, count\u00adries, reli\u00adgi\u00adons, eco\u00adno\u00admic\u00adal and cul\u00adtu\u00adral back\u00adgrounds. They are<br>now and then accom\u00adpa\u00adnied or inter\u00adrupt\u00aded by joyful Pal\u00ades\u00adti\u00adni\u00adan kids spea\u00adking in Ara\u00adbic who<br>con\u00adstant\u00adly try to catch atten\u00adti\u00adon and crea\u00adte a&nbsp;con\u00adnec\u00adtion, bet\u00adween here and the\u00adre, bet\u00adween the past<br>and the future. The idea is to lea\u00adve the expl\u00adana\u00adti\u00adons of the past behind and request a&nbsp;posi\u00adti\u00adon and<br>open\u00adness towards what could beco\u00adme. The musi\u00adcal spe\u00adci\u00adfi\u00adci\u00adties of each voice are com\u00adpo\u00adsed and<br>mel\u00adted into a&nbsp;fic\u00adti\u00adve coll\u00adec\u00adti\u00adve choir reve\u00adal\u00ading the har\u00admo\u00adnies and dis\u00adso\u00adnan\u00adces. The con\u00adtra\u00addic\u00adtions of<br>dif\u00adfe\u00adrent posi\u00adti\u00adons are not evi\u00addent at the first sight, but reve\u00adal its power at a&nbsp;con\u00adcen\u00adtra\u00adted and deeper<br>lis\u00adtening. The con\u00adflicts of tho\u00adse peo\u00adp\u00adle appar\u00adent\u00adly living peaceful\u00adly tog\u00ade\u00adther appear when the<br>nar\u00adra\u00adti\u00adons of the past and the future, offer insights of their visi\u00adons of how the world should or could<br>be. Pla\u00adced next to each other, in syn\u00adch or in oppo\u00adsi\u00adti\u00adon, quiet\u00adly, loud, occu\u00adpy\u00ading acou\u00adstic spaces,<br>they beco\u00adme a&nbsp;con\u00adstant beat of living dis\u00adpu\u00adte.<br>The minia\u00adtu\u00adre-orches\u00adtra con\u00adsis\u00adting of three musi\u00adci\u00adans (non-seman\u00adtic voice, cla\u00adri\u00adnet and dou\u00adble<br>bass) moves though the streets and is cap\u00adtu\u00adred live and com\u00adpo\u00adsed elec\u00adtro\u00adni\u00adcal\u00adly into a&nbsp;big cast. Via<br>radio trans\u00admit\u00adters and mobi\u00adle pho\u00adnes the audi\u00adence recei\u00adves the music and nar\u00adra\u00adti\u00adve voice mix<br>while moving through the area. The fina\u00adle hap\u00adpens at an open soc\u00adcer\u00adfield, whe\u00adre games and fights<br>are play\u00aded, one wish against ano\u00adther, still fri\u00adend\u00adly, still exhaus\u00adting, tog\u00ade\u00adther and playful.<br>Mus\u00adrar\u00adope\u00adra pro\u00adjects visi\u00adons into the future recur\u00adring to the old struc\u00adtures of the ope\u00adra, full of<br>con\u00adflicts, emo\u00adti\u00adons and pathos. The pie\u00adce trans\u00adforms the for\u00admat into a&nbsp;con\u00adtai\u00adner of nowa\u00addays voices<br>con\u00adstant\u00adly adap\u00adting to its envi\u00adron\u00adment, absor\u00adbing its colours and qua\u00adli\u00adties. Artis\u00adti\u00adcal\u00adly it cros\u00adses the<br>bor\u00adders of the for\u00admat ope\u00adning aes\u00adthe\u00adtic and poli\u00adti\u00adcal dis\u00adcus\u00adsion by sta\u00adging the hete\u00adro\u00adgen\u00adei\u00adty of the<br>wider neigh\u00adbour\u00adhood around the Medi\u00adter\u00adra\u00adne\u00adan and its count\u00adries.<br>In a&nbsp;fur\u00adther idea the site spe\u00adci\u00adfic\u00adness of the pie\u00adce absorbs as well the local voices and con\u00adtext whe\u00adre<br>it will be staged, blen\u00adding dif\u00adfe\u00adrent rea\u00adli\u00adties tog\u00ade\u00adther to under\u00adline the rela\u00adti\u00adons of tho\u00adse places,<br>cul\u00adtures and future visi\u00adons with the sym\u00adbo\u00adlic area of Mus\u00adra\u00adra.<\/p>\n\n\n\n<p><strong>SCORE<\/strong><\/p>\n\n\n\n<p>Mus\u00adrar\u00adope\u00adra is not a&nbsp;usu\u00adal ope\u00adra fol\u00adlo\u00adwing a&nbsp;fixed score. The two struc\u00adtu\u00adring per\u00adfor\u00admers of<br>sound\u00ading situa\u00adtions con\u00adstant\u00adly act and react to each others artis\u00adtic decis\u00adi\u00adon. Still the musi\u00adcal<br>com\u00adpo\u00adsi\u00adti\u00adon fol\u00adlow spe\u00adci\u00adfic rules.<br>The for\u00admal con\u00adcern in the com\u00adpo\u00adsi\u00adti\u00adon is to com\u00adbi\u00adne dra\u00adma, side\u00adspe\u00adci\u00adfic\u00adness, nowa\u00addays tech\u00adno\u00adlo\u00adgy<br>and con\u00adtem\u00adpo\u00adrar\u00adi\u00adne\u00adss with heri\u00adta\u00adge, tra\u00addi\u00adti\u00adon, dra\u00adma, pathos, lyri\u00adcism, the thea\u00adtri\u00adcal stage.<br>The pie\u00adce is struc\u00adtu\u00adred in three major parts, an ouver\u00adtu\u00adre, the walk through the quar\u00adter and a<br>sta\u00adtio\u00adna\u00adry coll\u00adec\u00adti\u00adve fina\u00adle. In the wal\u00adking part, the most influ\u00aden\u00adti\u00adal artis\u00adtic decis\u00adi\u00adon is the urge and<br>visi\u00adon to use side\u00adspe\u00adci\u00adfic\u00adness as a&nbsp;plat\u00adform for sta\u00adging an artis\u00adtic work, spe\u00adci\u00adfi\u00adcal\u00adly an ope\u00adra.<br>Bin\u00adding the ori\u00adgi\u00adnal inter\u00adview mate\u00adri\u00adal to its musi\u00adcal\u00adi\u00adsa\u00adti\u00adon, we pushed the musi\u00adcal- towards a<br>mobi\u00adle com\u00adpo\u00adsi\u00adti\u00adon, evo\u00adking in all aspects (stage, text and music) an authen\u00adtic repre\u00adsen\u00adta\u00adti\u00adon of the<br>real. We want to stage and con\u00adnect the embo\u00addy\u00adm\u00adent of the truth by invol\u00adving the real<br>neigh\u00adbour\u00adhood, the space as well as the peo\u00adp\u00adle expres\u00adsing their rea\u00adli\u00adties and con\u00advic\u00adtions (con\u00adcerns,<br>opi\u00adni\u00adons, situa\u00adtions, dreams) as phy\u00adsi\u00adcal pre\u00adsence or (in the Jeru\u00adsa\u00adlem ver\u00adsi\u00adon) with their voices.<br>Their ori\u00adgi\u00adna\u00adry mate\u00adri\u00adal, con\u00adtent- and sound\u00adwi\u00adse, beco\u00admes the libret\u00adto which is inter\u00adpre\u00adted and<br>musi\u00adcal\u00adi\u00adzed. The words delinea\u00adte, not only in seman\u00adti\u00adcs, but espe\u00adci\u00adal\u00adly in their sound, the musi\u00adcal<br>com\u00adpo\u00adsi\u00adti\u00adon as a&nbsp;basic music infor\u00adma\u00adti\u00adon car\u00adri\u00ader. Words lose their rea\u00adda\u00adbili\u00adty and beco\u00adme music,<br>are pro\u00adces\u00adsed into music and are fur\u00adther musi\u00adcal\u00adly inter\u00adpre\u00adted by the sin\u00adging voice. This voice binds<br>the seman\u00adtic and dis\u00adsol\u00adving words back into music, gene\u00adra\u00adting the melo\u00addic abs\u00adtract, beco\u00adming the<br>music input mate\u00adri\u00adal for the com\u00adpo\u00adsi\u00adti\u00adon. At the same time the four acts (move\u00adments) of the ope\u00adra<br>con\u00adsist out of pre\u00adcis\u00ade\u00adly out\u00adlined struc\u00adtures and forms inter\u00adpre\u00adted by the acti\u00adve musi\u00adci\u00adans<br>(dou\u00adble\u00adbass, cla\u00adri\u00adnet ecc) and pre\u00adcon\u00adcie\u00adved by the com\u00adpo\u00adsi\u00adti\u00adon in order to full-fill the deve\u00adlo\u00adp\u00adment<br>of the dra\u00adma.<br>Par\u00adti\u00adcu\u00adlar aspects to focus on are the two crea\u00adti\u00adve music fields: one being busy with for\u00admu\u00adla\u00adting the<br>thea\u00adtri\u00adcal act, by crea\u00adting the soil on which it hap\u00adpens, and two the crea\u00adti\u00adve ges\u00adtu\u00adre of musi\u00adcal\u00adi\u00adzing<br>the seman\u00adti\u00adcs, for\u00admu\u00adla\u00adting the dra\u00adma\u00adtic evo\u00adlu\u00adti\u00adon. We encoun\u00adter music\u00adless seman\u00adtic and a<br>seman\u00adti\u00adc\u00adless music. The con\u00adtra\u00addic\u00adtion of this pola\u00adri\u00adty crea\u00adtes the exci\u00adte\u00adment of the life-situa\u00adti\u00adon: on<br>one hand the musi\u00adci\u00adans inter\u00adpre\u00adta\u00adti\u00adon \u201clyri\u00adzi\u00adses\u201d the seman\u00adti\u00adcs and trans\u00adforms the essence of the<br>\u201csaid\u201d (of pre\u00adsu\u00adma\u00adb\u00adly all levels) into music. On the other hand the spo\u00adken word faci\u00adli\u00adta\u00adtes<br>music\/\u200bsinging and both ele\u00adments crea\u00adte a&nbsp;mona\u00addic enti\u00adty com\u00adpi\u00adled by an agglo\u00adme\u00adra\u00adti\u00adon of<br>infor\u00adma\u00adti\u00adons.<br>In the soc\u00adcer\u00adfield moment the stage of dra\u00adma and music urges for wide\u00adness. After the inti\u00adma\u00adcy and<br>nar\u00adrow\u00adness of the paths, shared with acti\u00adve audi\u00adence mem\u00adbers, acti\u00adve musi\u00adci\u00adans, acti\u00adve<br>con\u00adtri\u00adbu\u00adtors, occa\u00adsio\u00adnal\u00adly pas\u00adsing pede\u00adstri\u00adans, we approach a&nbsp;dif\u00adfe\u00adrent qua\u00adli\u00adty of space. The<br>com\u00adpo\u00adsi\u00adti\u00adon fore\u00adsees a&nbsp;30 pie\u00adce ensem\u00adble of a&nbsp;most pos\u00adsi\u00adble varie\u00adty of tone gene\u00adra\u00adtors \u2013<br>acoustic\/\u200belectronic\/\u200bbowed\/\u200bblown\/\u200bbrass\/\u200breeds \u2013 in order to pro\u00addu\u00adce a&nbsp;walka\u00adble grid of musi\u00adci\u00adans.<br>The \u201cKlangfarben\u201d-music being crea\u00adted fol\u00adlows the score of \u201cmoving\u201d sounds sur\u00adroun\u00adding the<br>lis\u00adtening audi\u00adence mem\u00adber and being mixed with a&nbsp;solo for pro\u00adces\u00adsed seman\u00adti\u00adcs. The deve\u00adlo\u00adp\u00adment<br>cul\u00admi\u00adna\u00adtes in a \u201cKlangfarben\u201d-drone, pro\u00addu\u00adced by all pre\u00adsent peo\u00adp\u00adle and the\u00adr\u00ade\u00adfo\u00adre con\u00adducts to an<br>acti\u00adve and audi\u00adence-par\u00adti\u00adci\u00adpa\u00adto\u00adry tut\u00adti, fin\u00adding a&nbsp;clear music ending.<\/p>\n\n<\/div>\n\n<\/div>\n\n\n<div class=\"accordion accordion--credits relative w-full col-span-full border-b first:border-t border-current\">\n\n\t<button class=\"accordion__button relative w-full pl-10 py-3 text-left appearance-none\" aria-expanded=\"false\">\n\n\t\t<span class=\"accordion__title w-full ss-h2\">\n\t\t\tCre\u00addits \t\t<\/span>\n\n\t\t<span class=\"accordion__close absolute top-0 left-0 ss-h2 h-full w-10 flex items-center justify-center -rotate-90 pointer-events-none select-none enabled:rotate-0 transition-transform\" aria-hidden=\"true\">\u2193<\/span>\n\n\t<\/button>\n\n\t<div class=\"accordion__inner Wysiwyg w-full pt-2 pb-5 pl-10 hidden no-js:block\">\n\n<p>Direc\u00adtor, Com\u00adpo\u00adser: Klaus Janek, Mile\u00adna Kipf\u00adm\u00fcl\u00adler<br>Sin\u00adger: Lai\u00adla Shu\u00ada\u00adla (France \/\u200b Isra\u00adel)<br>Cla\u00adri\u00adnet: Nitai Levi (Isra\u00adel)<br>Dou\u00adble\u00adbass: Shira Har\u00adpaz (Isra\u00adel)<br>Cos\u00adtu\u00admes: Fabi\u00aden\u00adne M\u00fcl\u00adler (Ger\u00adma\u00adny)<br>Tech\u00adni\u00adcal Advi\u00adsor: Jens Bau\u00addisch (Ger\u00adma\u00adny)<br>pro\u00addu\u00adced by Sound\u00ading Situa\u00adtions \/\u200b Nag\u00adgar Inter\u00addi\u00adsci\u00adpli\u00adna\u00adry School of Arts and Socie\u00adty<\/p>\n\n\n\n<p>Pre\u00admie\u00adre: 05-29-2018 \/\u200b Mus\u00adra\u00adra Mix Fes\u00adti\u00adval \/\u200b Jeru\u00adsa\u00adlem, Isra\u00adel<\/p>\n\n<\/div>\n\n<\/div>\n\n<div class=\"accordion accordion--trailer relative w-full col-span-full border-b first:border-t border-current\">\n\n\t<button class=\"accordion__button relative w-full pl-10 py-3 text-left appearance-none\" aria-expanded=\"false\">\n\n\t\t<span class=\"accordion__title w-full ss-h2\">\n\t\t\tTrai\u00adler\t\t<\/span>\n\n\t\t<span class=\"accordion__close absolute top-0 left-0 ss-h2 h-full w-10 flex items-center justify-center -rotate-90 pointer-events-none select-none enabled:rotate-0 transition-transform\" aria-hidden=\"true\">\u2193<\/span>\n\n\t<\/button>\n\n\t\t\t<div class=\"accordion__inner embed-container mt-5 mb-2 hidden no-js:block\">\n\t\t\t<iframe title=\"Musraropera Trailer Short\" src=\"https:\/\/player.vimeo.com\/video\/329588546?dnt=1&amp;app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\t\t<\/div>\n\t\n<\/div>\n\n<\/div>\n\n<\/section>","protected":false},"excerpt":{"rendered":"<p>\u201eMus\u00adrar\u00adope\u00adra\u201c is a&nbsp;mobi\u00ad\u00adle-radio\u00ad\u00adpho\u00ad\u00adnic-ope\u00adra deve\u00adlo\u00adped in a&nbsp;his\u00adto\u00adri\u00adcal\u00adly char\u00adged quar\u00adter of Jeru\u00adsa\u00adlem, lay\u00ading bet\u00adween fan\u00adcy shops, the Pal\u00ades\u00adti\u00adni\u00adan area of Damus\u00adkus Gate and the ultra\u00ador\u00adtho\u00addox Mea Shea\u00adrim. Mus\u00adra\u00adra is a&nbsp;mir\u00adror of the city, Isra\u00adel and the com\u00adple\u00adxi\u00adty of the Midd\u00adle East, inha\u00adbi\u00adted by peo\u00adp\u00adle of divers cul\u00adtu\u00adral, reli\u00adgious and poli\u00adti\u00adcal back\u00adgrounds, kee\u00adping the explo\u00adsi\u00adve coexis\u00adtence of the [\u2026]<\/p>\n","protected":false},"featured_media":344,"template":"","project_cats":[20,17],"project_classification":[21,22],"class_list":["post-339","project","type-project","status-publish","has-post-thumbnail","hentry","project_cats-musiktheater","project_cats-site-specific","project_classification-aktuell","project_classification-archiv"],"acf":[],"yoast_head":"<title>Musraropera &#8211; Sounding Situations<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sounding-situations.com\/de\/project\/339\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Musraropera &#8211; Sounding Situations\" \/>\n<meta property=\"og:description\" content=\"\u201eMus\u00adrar\u00adope\u00adra\u201c is a&nbsp;mobi\u00adle-radio\u00adpho\u00adnic-ope\u00adra deve\u00adlo\u00adped in a&nbsp;his\u00adto\u00adri\u00adcal\u00adly char\u00adged quar\u00adter of Jeru\u00adsa\u00adlem, lay\u00ading bet\u00adween fan\u00adcy shops, the Pal\u00ades\u00adti\u00adni\u00adan area of Damus\u00adkus Gate and the ultra\u00ador\u00adtho\u00addox Mea Shea\u00adrim. 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