Kunst im Ver­hör

The radio play docu­ments and stages the ver­bal mani­fes­ta­ti­ons of Pav­len­sky’s actions: Poli­ce reports and public reac­tions, wit­ness state­ments and pro­gram­ma­tic decla­ra­ti­ons, as well as a series of inter­ro­ga­ti­ons that Pav­len­sky secret­ly recor­ded. An absurd theat­re unfolds in which the means of art are used against the instru­ments of the power appa­ra­tus.