Kun­st im Ver­hör

The radio play doc­u­ments and stages the ver­bal man­i­fes­ta­tions of Pavlen­sky’s actions: Police reports and pub­lic reac­tions, wit­ness state­ments and pro­gram­mat­ic dec­la­ra­tions, as well as a series of inter­ro­ga­tions that Pavlen­sky secret­ly record­ed. An absurd the­atre unfolds in which the means of art are used against the instru­ments of the pow­er appa­ra­tus.